Vampire Weekend - Contra
Their songs justify the hype.
It has to be said, when Vampire Weekend first emerged from collegiate obscurity, no one could've predicted quite the amount of appreciation we soon poured down on them. In the space of just two years, the New York four-piece have risen to a level of popularity that transcends understanding; until you hear the music. Their songs justify the hype.
Laden with three-minute pop gems, the band's self-titled debut gleaned intriguing snapshots - like the murky Polaroid on its cover - of a time and place that we all wanted in to. Far from the stifling boredom of flu and economic collapse, Vampire Weekend built their very own curious realm of sound, spawning a truly unique brand of alternative pop.
Luckily, 'Contra' picks up exactly where the first record left off. 'Horchata' opens with a familiar blend of twinkling melodies and the bellow of African drums. 'Holiday' welcomes back the muzzled barks of blues guitar - something of a signature on the first album - and 'Diplomat's Son' has a similar customary air about it.
Where 'Contra' really sparkles, however, is not in the shadow of its predecessor, or the comfort of that inimitable sound. Centre stage, it's wheeling out new tricks and pushing textural boundaries. Latest single 'Cousins', for instance, has all the hallmarks of an 'A-Punk' or 'M79' but exceeds their simplicity with a violent, unpredictable midst that signals a minute evolutionary step.
Second albums are rarely a success. More often than not, they're disasters. 'Contra' might not be the choc-box of infectious pop you expected, but it's more than good enough to eat.
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